A reflection of the state of Taiwan in its arts By Paul Lin 林保華 Wednesday, Dec 10, 2008, Page 8
It has been an eventful autumn for Taiwan. In addition to concerns over the economy and deteriorating living standards, it is worrying to see that aspects of Taiwanese consciousness are being washed away.
Because of this, the awakening of Taiwanese culture seems to be filling in the gap left by the disappearance of the political manifestation of Taiwanese consciousness.
The films Cape No. 7 (海角七號) and 1895 have been successes not only because they were produced locally, but because the movies are products of Taiwanese culture.
The Chinese government’s abrupt decision not to allow Cape No. 7 to be screened in China reveals the hypocrisy of statements made by Association for Relations Across the Taiwan Strait Chairman Chen Yunlin (陳雲林), because it shows the desire to keep the Chinese public from getting to know Taiwanese culture and history.